About
Dziga Vertov (born David Abelevich Kaufman) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. The independent, exploratory style of Vertov influenced and inspired many filmmakers and directors. The Dziga Vertov Group borrowed his name. In 1960, Jean Rouch used Vertov's filming theory when making Chronicle of a Summer. His partner Edgar Morin coined Cinéma vérité term when describing the style, using direct translation of Vertov’s KinoPravda. The Free Cinema movement in the United Kingdom during the 1950s, the Direct Cinema in North America in the late 1950s and early 1960s, and the Candid Eye series in Canada in the 1950s, all essentially owed a debt to...
Known for
Man with a Movie CameraMovie • 1929
A Sixth Part of the WorldMovie • 1926
Three Songs About LeninMovie • 1934
Kino-EyeMovie • 1924
Kino-Pravda No. 1Movie • 1922
The Eleventh YearMovie • 1928
Soviet ToysMovie • 1924
Kino-Pravda No. 21: Lenin Kino-Pravda. A Film Poem About LeninMovie • 1925
Enthusiasm: Symphony of DonbasMovie • 1930